Lutes and Marginality in Pre-Modern China : Art History, Archaeology, and Music Iconography
Ingrid Maren Furniss
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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International Who's Who in Classical Music 2024
Europa Publications
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Studies in Music, Words, and Imagery in Early Modern Europe
Barbara Russano Hanning
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J. S. Bach : The Organ Works
George B. (Dean of the Mason Gross School of the Arts and Pr Stauffer
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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The Cambridge Companion to West Side Story
Paul R. (University of Kansas) Laird
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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The Sound of Difference : Race, Class and the Politics of 'Diversity' in Classical Music
Kristina Kolbe
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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The Reminiscences and Selected Criticism of Herbert Thompson
Michael Allis
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The Gentleman Dancing-Master : Mr Isaac and the English Royal Court from Charles II to Queen Anne
Jennifer Thorp
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The Classical Music Book : Big Ideas Simply Explained
DK
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The Oxford Companion to Music
Alison Latham
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Quartet : How Four Women Changed The Musical World - 'Magnificent' (Kate Mosse)
Leah Broad
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