Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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The Nurse in History and Opera: From Servant to Sister
Judith Barger
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(How) Opera Works, (Hoe) opera werkt : Pierre Audi Lectures, Pierre Audi lezingen
Liesbeth Kruyt
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Wagnerism : Art and Politics in the Shadow of Music
Alex Ross
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Wagnerism : Art and Politics in the Shadow of Music
Alex Ross
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Time to Say Hello : My Autobiography
Katherine Jenkins
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Wagner's Parsifal : The Music of Redemption
Roger Scruton
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A History of Opera : The Last Four Hundred Years
Carolyn Abbate
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Aspects of Wagner
Bryan Magee
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My World
Luciano Pavarotti
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The Penguin Concise Guide to Opera
Amanda Holden
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Sing Me Forgotten
Jessica S. Olson
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The Ring of the Nibelung
Richard Wagner
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Wagner's Ring of the Nibelung : A Companion
Stewart Spencer
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Why Beethoven : A Phenomenon in 100 Pieces
Norman Lebrecht
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