dots on paper : Philip Glass by Andreas H. Bitesnich
Andreas H. Bitesnich
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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Building Community Choirs in the Twenty-First Century : Re-imagining Identity through Singing in Northern Ireland
Sarah-Jane Gibson
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Violin Concerto ‘Concentric Paths’
Thomas Ades
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Charles Villiers Stanford: Man and Musician : Revised and Expanded Edition
Jeremy Dibble
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Wagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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Add to BasketBeyond Exoticism : Western Music and the World
Timothy D. Taylor
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Suppressed Composers in the Netherlands : Forbidden Music in the Second World War
Carine Alders
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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The Reminiscences and Selected Criticism of Herbert Thompson
Michael Allis
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The Gentleman Dancing-Master : Mr Isaac and the English Royal Court from Charles II to Queen Anne
Jennifer Thorp
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Music, Piety, and Political Power in 17th Century Salzburg : The Sounds of Good Government
Kimberly Beck Hieb
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Decolonising and Indigenising Music Education : First Peoples Leading Research and Practice
Te Oti Rakena
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Lutes and Marginality in Pre-Modern China : Art History, Archaeology, and Music Iconography
Ingrid Maren Furniss
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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The Technique of Orchestration - Textbook and Workbook Set
Kent Kennan
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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