Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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The Tuneful Voice : Selected Libretti
Eugene Benson
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An Anti-Woke Guide to Classical Music : A Celebration of Dead White Male Composers
Robert R. Reilly
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The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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The Standard Operaglass; Detailed Plots of two Hundred and Thirty-five Celebrated Operas, With Criti
Charles Annesley
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Friedrich Chopin Als Mensch Und Als Musiker, erster Band.
Frederick Niecks
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New York : A Symphonic Study, In Three Parts, Parts 1-3
Fay Peirce
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Opera : Illustravit Christ. Guil. Mitscherlich, Volume 1...
Horace
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Opera Ad Philosophiam Criticam : Latine Vertit Fredericus Gottlob Born; Volume 4
Immanuel Kant
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Add to BasketOpera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Add to BasketSound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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Joaquin Rodrigo : A Research and Information Guide
Walter Aaron (University of California, Riverside, USA) Clark
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The Popular and the Sacred in Music
Antti-Ville Karja
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Dramaturgies of Love in Romeo and Juliet : Word, Music, and Dance
Jonas Kellermann
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Joaquin Rodrigo : Writings on Music
Raymond Calcraft
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Beethoven and Greco-Roman Antiquity
Jos van der Zanden
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