Music as Labour : Inequalities and Activism in the Past and Present
Dagmar Abfalter
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Transmedia Change : Pedagogy and Practice for Socially-Concerned Transmedia Stories
Kevin (Ball State University, USA) Moloney
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Add to BasketMuseum Exhibitions and Suspense : The Use of Screenwriting Techniques in Curatorial Practice
Ariane Karbe
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Shooting the Scene : The Art and Craft of Coverage for Directors and Filmmakers
Mark Rosman
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Add to BasketIn-Between Worlds : Performing [as] Bauls in an Age of Extremism
Sukanya Chakrabarti
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Circus and the Avant-Gardes : History, Imaginary, Innovation
Anna-Sophie Jurgens
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Add to BasketCorporate Wrongdoing on Film : The ‘Public Be Damned’
Kenneth (Professor at Wilfrid Laurier Univ., Canada) Dowler
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Love in Contemporary Cinema : Audiences and Representations of Romance
Benjamin de la Pava Velez
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War and Death in the Music of George Crumb : A Crisis of Collective Memory
Abigail Shupe
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The Mediations of Music : Critical Approaches after Adorno
Gianmario Borio
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Spider-Man: Into the Spider-Verse : Youth, Race, and the Hypertext
Charlie Michael
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A History of Western Music
J Peter Burkholder
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Inhabiting the Impossible : Dance and Experimentation in Puerto Rico
Susan Homar
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Add to BasketHollywood's Imperial Wars : The Vietnam Generation and the American Myth of Heroic Continuity
Armando Jose Prats
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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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Recording Orchestra and Other Classical Music Ensembles
Richard (Vanderbilt University, USA) King
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Repetition and Performance in the Recording Studio
Rod (Monash University, Victoria) Davies
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Chinese Emigre Composers and Divergent Modernisms : Chen Yi and Zhou Long
Mia (Curtis Institute of Music) Chung
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The Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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