Format Friction : Perspectives on the Shellac Disc
Gavin Williams
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Action Cinema Since 2000
Professor Emerita Chris (University of Tennessee, USA) Holmlund
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Reframing Berlin : Architecture, Memory-Making and Film Locations
Christopher S. Wilson
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Spectacular Listening : Music and Disability in the Digital Age
Byrd (Assistant Director of Student Development, Assistant D McDaniel
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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The Traces of Jacques Derrida's Cinema
Timothy (Assistant Professor, Dept. of Film and Media, Assist Holland
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Behind the Scenes of Indie Film Marketing : A FilmSnobbery Field Guide
Nicholas LaRue
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Tell Your Story : Visual Storytelling Pitfalls and How to Avoid Them
Bill (Member of American Society of Cinematographers (ASC), Prof Dill
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Narrative Podcasting in an Age of Obsession
Neil Kanwar Harish Verma
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A Light in the Darkness : The Music and Life of Joaquin Rodrigo
Javier (Complutense University of Madrid) Suarez-Pajares
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The Self-Sustaining Filmmaker : Creating Crowdsourced, Crowdfunded & Community-Supported Independent Film
Marty Lang
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Exploring English Lyrics : Selection and Pronunciation of English Art Song Repertoire
Cheri Montgomery
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Two-Dimensional Sonata Form : Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg and Zemlinsky
Steven Vande Moortele
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Cuban Fusion : The Transnational Cuban Alternative Music Scene
Eva Silot Bravo
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