Space and Time in African Cinema and Cine-scapes
Kenneth W. Harrow
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Color, The Film Reader
Angela (Georgia Institute of Technology, Atlanta, USA) Dalle Vacche
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From Grain to Pixel : The Archival Life of Film in Transition, Third Revised Edition
Giovanna Fossati
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Geographies of Development : An Introduction to Development Studies
Robert Potter
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A Gentle Introduction to Effective Computing in Quantitative Research : What Every Research Assistant Should Know
Harry J. Paarsch
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Cultural Intermediaries in East Asian Film Industries
Eyal (Security and Peace at Kinneret College on the Sea of Ga Ben-Ari
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Tame, Messy and Wicked Risk Leadership
David Hancock
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Transnational Cinema, The Film Reader
Elizabeth (University of Stirling, UK) Ezra
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Landscape and Memory in Post-Fascist Italian Film : Cinema Year Zero
Giuliana Minghelli
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Crossover Cinema : Cross-Cultural Film from Production to Reception
Sukhmani Khorana
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Spanish Cinema in the Global Context : Film on Film
Samuel Amago
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American Documentary Filmmaking in the Digital Age : Depictions of War in Burns, Moore, and Morris
Lucia Ricciardelli
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Iranian Cinema in a Global Context : Policy, Politics, and Form
Peter Decherney
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The Woman's Film of the 1940s : Gender, Narrative, and History
Alison L. (San Jose State University, USA) McKee
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Spectacle in Classical Cinemas : Musicality and Historicity in the 1930s
Tom Brown
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Rashomon Effects : Kurosawa, Rashomon and their legacies
Blair Davis
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Transnational Asian Identities in Pan-Pacific Cinemas : The Reel Asian Exchange
Philippa Gates
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Stardom and the Aesthetics of Neorealism : Ingrid Bergman in Rossellini's Italy
Ora Gelley
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Japanese Horror Films and their American Remakes
Valerie Wee
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The Politics of Age and Disability in Contemporary Spanish Film : Plus Ultra Pluralism
Matthew J. Marr
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Hollywood Melodrama and the New Deal : Public Daydreams
Anna Siomopoulos
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Postwar Renoir : Film and the Memory of Violence
Colin Davis
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