The New Pocket Kobb 's Opera Book
Earl Of Harwood
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Gender and Dance in Modern Iran : Biopolitics on stage
Ida (The Pennsylvania State University) Meftahi
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Symphonia : A Critical Edition of the "Symphonia Armonie Celestium Revelationum" (Symphony of the Harmony of Celestial Revelations)
Hildegard of Bingen
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Musicology : The Key Concepts
David (Cardiff University University of Cardiff, UK University Beard
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Format: eBook (EPUB)
How to Rap 2 : Advanced Flow and Delivery Techniques
Paul Edwards
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Paul Robeson : The Artist as Revolutionary
Gerald (University of Houston) Horne
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How to Rap 2 : Advanced Flow and Delivery Techniques
Paul Edwards
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Music Theory Through Improvisation : A New Approach to Musicianship Training
Ed (University of Michigan, USA) Sarath
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Creative Dance and Movement in Groupwork
Helen (Professor, University of Hertfordshire, UK) Payne
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Creative Dance and Movement in Groupwork
Helen (Professor, University of Hertfordshire, UK) Payne
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From Music to Sound : The Emergence of Sound in 20th- and 21st-Century Music
Makis (University of Paris, France) Solomos
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Music Theory Through Improvisation : A New Approach to Musicianship Training
Ed (University of Michigan, USA) Sarath
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Film, Form, and Culture : Fourth Edition
Robert (University of Maryland, USA) Kolker
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Feeling Film: Affect and Authenticity in Popular Cinema
Greg (University of Stirling, Scotland) Singh
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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Understanding Popular Music Culture
Roy (Victoria University of Wellington, New Zealand) Shuker
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Modern Post : Workflows and Techniques for Digital Filmmakers
Scott (Professor, Chapman University, Dodge College of Film Arundale
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The Transformative Power of Performance : A New Aesthetics
Erika (Free University of Berlin, Germany) Fischer-Lichte
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The Transformative Power of Performance : A New Aesthetics
Erika (Free University of Berlin, Germany) Fischer-Lichte
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Choreographing Empathy : Kinesthesia in Performance
Susan (University of California, Los Angeles, USA) Foster
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Understanding Popular Music Culture
Roy (Victoria University of Wellington, New Zealand) Shuker
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Deleuze and Cinema : The Film Concepts
Felicity (Director of Research Programmes at Kingston Universi Colman
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