Vaudeville Wars : How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers
A. Wertheim
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Representation and Identity from Versailles to the Present : The Performing Subject
A. Sikes
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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Screening the Unwatchable : Spaces of Negation in Post-Millennial Art Cinema
A. Gronstad
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Add to BasketRe-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Imagining Arab Womanhood : The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S.
A. Jarmakani
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Fandom, Authenticity, and Opera : Mad Acts and Letter Scenes in Fin-de-Siecle Russia
A. Fishzon
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Contemporary Asylum Narratives : Representing Refugees in the Twenty-First Century
A. Woolley
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Avant-Garde Theatre Sound : Staging Sonic Modernity
A. Curtin
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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Interfacing with the Internet in Popular Cinema
A. Tucker
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Educational Institutions in Horror Film : A History of Mad Professors, Student Bodies, and Final Exams
A. Grunzke
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Music and the Making of Middle-Class Culture : A Comparative History of Nineteenth-century Leipzig and Birmingham
A. Pieper
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Phantoms of War in Contemporary German Literature, Films and Discourse : The Politics of Memory
A. Fuchs
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Possessed Child Narratives in Literature and Film : Contrary States
A. Schober
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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