Microsound
Curtis (University of California at Santa Barbara) Roads
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Nicholas (Professor of Music Cambridge University) Cook
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John A. Jackson
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Organ Technique : Modern and Early
George H. (Head of the Organ Department and Marguerite Scriba Ritchie
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Movie History: A Survey : Second Edition
Douglas (University of Maryland, USA) Gomery
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Add to BasketComposing Electronic Music : A New Aesthetic
Curtis (Professor of Media Arts and Technology, Professor of Me Roads
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Alfred A. Tomatis
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Add to BasketTelevision and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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Harmony, Counterpoint, Partimento : A New Method Inspired by Old Masters
Job (Instructor, Instructor, Conservatory of Amsterdam) Ijzerman
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Dave (University of Aberdeen) Benson
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Add to BasketMusic in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Add to BasketFilm Directing Fundamentals : See Your Film Before Shooting
Nicholas T. (Professor of Film at the Film Division, School Proferes
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Robert A. Rosenstone
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Robert A. Rosenstone
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From Music to Mathematics : Exploring the Connections
Gareth E. (Associate Professor, College of the Holy Cross) Roberts
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Music Therapy : An art beyond words
Leslie (University of West England, UK) Bunt
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Add to BasketThe Naked Voice : A Wholistic Approach to Singing
W. Stephen (Professor of Voice, Professor of Voice, Juilliard S Smith
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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The Score, the Orchestra, and the Conductor
Gustav (Director of the Graduate Conducting Program at the Peab Meier
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John A. Rice
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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Maureen A. Carr
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