Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

The Political in Rimsky-Korsakov's Operas, PDF eBook

The Political in Rimsky-Korsakov's Operas PDF

PDF

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia.

To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on "Orthodoxy, Autocracy, Nationality".

Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy.

Nikolai Rimsky-Korsakov questioned whether this "Official Nationality" truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable.

This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas.

It also shows how the composer's socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian "nationality".

Information

Information