Create Stunning Renders Using V-Ray in 3ds Max : Guiding the Next Generation of 3D Renderers
Margarita Nikita
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Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952
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Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952
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I Am C-3PO - The Inside Story (Signed Collector's Edition) : Foreword by J.J. Abrams
Anthony Daniels
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Playing on Words : A Guide to Luciano Berio's Sinfonia
David Osmond-Smith
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Szymanowski, Eroticism and the Voices of Mythology
Stephen Downes
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Add to BasketThe Politics of Plainchant in fin-de-siecle France
Katharine Ellis
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Towards a Harmonic Grammar of Grieg's Late Piano Music : Nature and Nationalism
Benedict Taylor
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Music for Treviso Cathedral in the Late Sixteenth Century : A Reconstruction of the Lost Manuscripts 29 and 30
Bonnie J. Blackburn
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The Impresario's Ten Commandments : Continental Recruitment for Italian Opera in London 1763-64
Curtis Price
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Institutional Patronage in Post-Tridentine Rome : Music at Santissima Trinita dei Pellegrini 1550-1650
Noel O'Regan
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Orientalism, Masquerade and Mozart's Turkish Music
Matthew Head
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Add to Basket'Composing with Tones' : A Musical Analysis of Schoenberg's Op.23 Pieces for Piano
Kathryn Bailey
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Repetition in Music : Theoretical and Metatheoretical Perspectives
Adam Ockelford
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'To fill, forbear, or adorne' : The Organ Accompaniment of Restoration Sacred Music
Rebecca Herissone
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Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata
Nicholas Marston
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MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164-167
AnthonyM. Cummings
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Bartok and the Grotesque : Studies in Modernity, the Body and Contradiction in Music
Julie Brown
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Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England
Philip Ross Bullock
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Add to BasketSacred Repertories in Paris under Louis XIII : Paris, Bibliotheque nationale de France, MS Vma res. 571
Peter Bennett
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Add to BasketRegina Mingotti: Diva and Impresario at the King's Theatre, London
Michael Burden
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Add to BasketThe Politics of Verdi's Cantica
Roberta Montemorra Marvin
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