Naughty Confessions From The Men's Room
Dan The Man
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The Year of the Poet XI March 2024
The Poetry Posse
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?clats D'Esp?rance : Les couleurs de l'humanit?
The Engaged Poets
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Formidable Shadows : A Foster Youth Journey
Ac the Poet
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PORTABLE Literature : Reading, Reacting, Writing
Laurie (University of the Sciences, Emeritus) Kirszner
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Love Always, a Broken Heart : Raw Poetry with a hint of Self-Reflection and a dash of Meditation
The Woman in a Mask
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Cesar Vallejo. Correspondencia : Volumen 1. 1910-1928
Dr Carlos Fernandez
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Damn You, Entropy! : 1,001 of the Greatest Science Fiction Quotes
Guy P. Harrison
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Wilde in the Dream Factory : Decadence and the American Movies
Kate (Associate Professor in Decadent Literature and the Arts, V Hext
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Po?sium : Chapitre 1: Les ?motions de la vie
Nicolas Ungern-Sternberg
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The Lithic Imagination from More to Milton
Tiffany Jo (Associate Professor of English, University of Calif Werth
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Publishing the History Play in the Time of Shakespeare : Stationers Shaping a Genre
Amy (University of Oxford) Lidster
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Byron: A Life in Ten Letters
Andrew (University of Virginia) Stauffer
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Theatricality, Playtexts and Society
David (University of York) Barnett
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Frank O'Hara's New York School and Mid-Century Mannerism : Perfectly Disgraceful
Sam (Senior Lecturer, Department of English Literature, Senior Ladkin
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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Dante's Divine Comedy : A Reading Guide
K. P. (University of York) Clarke
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Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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A Poetic Philosophy of Language : Nietzsche and Wittgenstein’s Expressivism
Philip (University of Lausanne, Switzerland) Mills
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