Multi-Camera Cinematography and Production : Camera, Lighting, and Other Production Aspects for Multiple Camera Image Capture
David (Fairleigh Dickinson University, USA) Landau
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Welcome to the O.C. : The Oral History
Josh Schwartz
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ADR and Post-Sync Dialogue : What It Is and How It's Done
R.J. Kizer
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ADR and Post-Sync Dialogue : What It Is and How It's Done
R.J. Kizer
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ADR and Post-Sync Dialogue : What It Is and How It's Done
R.J. Kizer
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BoJack Horseman: The Art Before the Horse
Chris McDonnell
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Madly Marvelous : The Costumes of The Marvelous Mrs. Maisel
Donna Zakowska
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Cue and Cut : A Practical Approach to Working in Multi-Camera Studios
Roger Singleton-Turner
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X-Men : The Art and Making of The Animated Series
Eric Lewald
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Production Management for TV and Film : The Professional's Guide
Linda Stradling
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles (Feirstein Graduate School of Cinema, USA) Haine
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Film Editing : Emotion, Performance and Story
Julie (Senior Lecturer and Associate Lecturer, Westminster Un Lambden
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Production Design : Visual Design for Film and Television
Peg McClellan
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Lighting for Cinematography : A Practical Guide to the Art and Craft of Lighting for the Moving Image
Landau David Landau
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CONFLICT - The Insiders' Guide to Storytelling in Factual/Reality TV & Film
Robert Thirkell
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Running the Show : The Essential Guide to Being a First Assistant Director
Liz (First AD and Director) Gill
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Running the Show : The Essential Guide to Being a First Assistant Director
Liz Gill
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Running the Show : The Essential Guide to Being a First Assistant Director
Liz Gill
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles Haine
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Television Development : How Hollywood Creates New TV Series
Bob Levy
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Production Design : Visual Design for Film and Television
Peg McClellan
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Greenlit: Developing Factual/Reality TV Ideas from Concept to Pitch
Nicola Lees
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Lighting for Televised Live Events : Making Your Live Production Look Great for the Eye and the Camera
James L. (Los Angeles City College, USA) Moody
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles Haine
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