Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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On Bette Midler : An Opinionated Guide
Kevin (Former curator, archivist, and administrator, Former c Winkler
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Performance and Modernity : Enacting Change on the Globalizing Stage
Julia A. (Washington University, St Louis) Walker
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Tell it to the World : The Broadway Musical Abroad
David (Distinguished Professor of Theatre and Performance, Dis Savran
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Complicit Participation : The Liberal Audience for Theater of Racial Justice
Carrie J. (Professor of English and Women's, Gender, & Sexual Preston
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Social Capacity Building through Applied Theatre : Developing Imagination, Emotional and Reflective Skills in the Human Services
Au (Hong Kong Drama/Theatre and Education Forum) Yi-Man
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How to Write About Theatre : A Manual for Critics, Students and Bloggers
Mark (arts commentator and freelance writer, UK) Fisher
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Actor Movement : Expression of the Physical Being
Vanessa (Central School of Speech and Drama, UK) Ewan
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Michael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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Draping Period Costumes: Classical Greek to Victorian : (The Focal Press Costume Topics Series)
Sharon (Professor of Theatre and Costume Design, University of Sobel
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Dramatherapy and Recovery : The CoActive Therapeutic Theatre Model and Manual
Laura L. Wood
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Dramatherapy and Recovery : The CoActive Therapeutic Theatre Model and Manual
Laura L. Wood
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The Art of Clowning : More Paths to Your Inner Clown
E.
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Royal Conservatoire of Scotland : Raising the Curtain
Stuart A. Harris-Logan
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The Right to Speak : Working with the Voice
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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The Actor Speaks : Voice and the Performer
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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World Theories of Theatre
Glenn A. Odom
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Theatrical Makeup : Basic Application Techniques
Sharon (Professor of Theatre and Costume Design, University of Sobel
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Dramatherapy and Recovery : The CoActive Therapeutic Theatre Model and Manual
Laura L. (Associate Professor, Lesley University, USA) Wood
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The Art of Clowning : More Paths to Your Inner Clown
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Practising the Real on the Contemporary Stage
Jose A. Sanchez
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Psychology for Dancers : Theory and Practice to Fulfil Your Potential
Cathy (Truro and Penwith College, UK) Schofield
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Historical Wig Styling: Ancient Egypt to the 1830s
Allison (Wig and Makeup Specialist, Austin Performing Arts Cen Lowery
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