Complicit Participation : The Liberal Audience for Theater of Racial Justice
Carrie J. (Professor of English and Women's, Gender, & Sexual Preston
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Museum Worthy : Nazi Art Plunder in Postwar Western Europe
Elizabeth (Professor of History and Director of the Center f Campbell
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Power, Image, and Memory : Historical Subjects in Art
Peter J. (Professor Emeritus of the History of Art and Class Holliday
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American Dramatists in the 21st Century : Opening Doors
Christopher (University of East Anglia, UK) Bigsby
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Soviet Theatre during the Thaw : Aesthetics, Politics and Performance
Jesse (University of St Andrews, UK) Gardiner
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Deleuze and the Map-Image : Aesthetics, Information, Code, and Digital Art
Dr Jakub (University of Ottawa, Canada) Zdebik
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The Politics of Vietnamese Craft : American Diplomacy and Domestication
Jennifer (University of North Texas, USA) Way
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Serial Drawing : Space, Time and the Art Object
Joe (American University of Sharjah, UAE) Graham
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Prints of a New Kind : Political Caricature in the United States, 1789–1828
Allison M. (Technical University of Darmstadt) Stagg
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From Byzantine to Norman Italy : Mediterranean Art and Architecture in Medieval Bari
Clare (Birkbeck, University of London, UK) Vernon
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas (Norwegian Academy of Music, Oslo) Sonning
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Appropriating Antiquity for Modern Chinese Painting
Chia-Ling (University of Edinburgh, UK) Yang
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Performance and Modernity : Enacting Change on the Globalizing Stage
Julia A. (Washington University, St Louis) Walker
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Motion Illustration : How to Use Animation Techniques to Make Illustrations Move
Adam (Milwaukee Institute of Art & Design, USA) Osgood
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Insights in Applied Theatre : The Early Days and Onwards
Peter (The University of Auckland, New Zealand) O'Connor
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Making Health Public : How News Coverage Is Remaking Media, Medicine, and Contemporary Life
Charles L. (University of California-Berkeley, USA) Briggs
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Making the Modern Turkish Citizen : Vernacular Photography in the Early Republican Era
Ozge Baykan (University of Amsterdam, The Netherlands) Calafato
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Criticism, Performance, and the Passions in the Eighteenth Century : The Art of Transition
James (University of Newcastle upon Tyne) Harriman-Smith
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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Lo-Fi Photography : Art from Do-It-Yourself Chemistry and Physics
Prof. John (University of Wisconsin Oshkosh, US) Beaver
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The Hungarian Avant-Garde and Socialism : The Art of the Second Public Sphere
Katalin (Academy of Fine Arts Vienna, Austria) Cseh-Varga
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Milestones in African Literature
Toyin (The University of Texas at Austin, USA) Falola
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Mask Making Techniques : Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV
Mary C. (Professor of Costume Design, West Virginia Universit McClung
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The Seven Wonders of the Ancient World : Science, Engineering and Technology
Michael Denis (Emeritus Professor, Emeritus Professor, Univer Higgins
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