The Prop Building Guidebook : For Theatre, Film, and TV
Eric (Professional Prop Builder, New York, NY, USA) Hart
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Add to BasketTraveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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Add to BasketThe Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Add to BasketThe Language of New Media
Lev (City University of New York) Manovich
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Add to BasketFilm Theory : An Introduction
Robert (New York University) Stam
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Add to BasketThe Middle Ages in Popular Imagination : Memory, Film and Medievalism
Paul B. Sturtevant
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Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics
Professor Carol (Stanford University, USA) Vernallis
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Add to BasketFashion in Film
Adrienne Munich
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Add to BasketConcentrationary Imaginaries : Tracing Totalitarian Violence in Popular Culture
Griselda (University of Leeds, UK) Pollock
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Add to BasketCrossmappings : On Visual Culture
Elisabeth Bronfen
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Add to BasketThe Sacred and the Feminine : Imagination and Sexual Difference
Griselda Pollock
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Revolutionary Becomings : Documentary Media in Twentieth-Century China
Ying Qian
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Add to BasketThe New York Times Book of Movies : The Essential 1,000 Films To See
New York Times
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Writing the Short Film
Patricia (Tisch School of the Arts, New York University, New Y Cooper
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Add to BasketBollywood : A Guidebook to Popular Hindi Cinema
Tejaswini (New York University, USA) Ganti
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Add to BasketThe Prop Building Guidebook : For Theatre, Film, and TV
Eric (Professional Prop Builder, New York, NY, USA) Hart
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The Prop Building Guidebook : For Theatre, Film, and TV
Eric (Professional Prop Builder, New York, NY, USA) Hart
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Fashion's Double : Representations of Fashion in Painting, Photography and Film
Adam (University of Sydney, Australia) Geczy
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Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Add to BasketArchival Storytelling : A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Sheila Curran (University at Albany, State University of New Bernard
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Add to BasketMenacing Environments : Ecohorror in Contemporary Nordic Cinema
Benjamin A. Bigelow
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The GoFaSt Guide To Screenwriting : The Goals, Failures, and Stakes Model of Narrative Storytelling
Greg (The New School, USA) Takoudes
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Add to BasketWalled Life : Concrete, Cinema, Art
Jenny (University of Auckland, New Zealand) Stumer
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French Cinema Since 1950 : Personal Histories
Emma Wilson
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