A Notebook for Viola Players
Ivo-Jan (Professor of Viola, Professor of Viola, Shephe van der Werff
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Musical Solidarities : Political Action and Music in Late Twentieth-Century Poland
Andrea F. (Assistant Professor of Music, Assistant Professor Bohlman
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Latin Jazz : The Other Jazz
Christopher (Assistant Professor of Ethnomusicology, Assist Washburne
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The History of Music Production
Richard James (Director of Marketing and Sales, Director of M Burgess
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Pina Bausch
Royd (The New School for Liberal Arts, New York, USA) Climenhaga
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Performing Antiquity : Ancient Greek Music and Dance from Paris to Delphi, 1890-1930
Samuel N. (Assistant Professor of Musicology, Assistant Professo Dorf
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Kick It : A Social History of the Drum Kit
Matt (Reader in Popular Music, Reader in Popular Music, Unive Brennan
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Arthur Sullivan : A Life of Divine Emollient
Ian (Emeritus Professor of Cultural and Spiritual History, Un Bradley
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Beyond Sound : The College and Career Guide in Music Technology
Scott L. (Assistant Professor of Music Technology, Assistant Phillips
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The Queer Cinema of Derek Jarman : Critical and Cultural Readings
Niall (University of Sussex, BRIGHTON) Richardson
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Foam Patterning and Construction Techniques : Turning 2D Designs into 3D Shapes
Mary (Professor of Costume Design, West Virginia University.) McClung
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Making Music in the Arab World : The Culture and Artistry of Tarab
A. J. (University of California, Los Angeles) Racy
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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The Fascist Turn in the Dance of Serge Lifar : Interwar French Ballet and the German Occupation
Mark (Professor of Dance, Professor of Dance, Temple Universit Franko
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The Archive Effect : Found Footage and the Audiovisual Experience of History
Jaimie (University of Alberta, Canada) Baron
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Beyond Bagpuss : A History of Smallfilms Animation Studio
Chris (University of Greenwich, UK) Pallant
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Ten Masterpieces of Music
Harvey (Curtis Institute of Music) Sachs
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Archival Storytelling : A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Sheila Curran (University at Albany, State University of New Bernard
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Design for Doctor Who : Vision and Revision in Science Fiction Television
Piers D. (University of Redlands, Southern California, USA) Britton
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Introduction to the Alexander Technique : A Practical Guide for Actors
Bill (Yale School of Drama, USA) Connington
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This Must Be The Place : An Architectural History of Popular Music Performance Venues
Dr Robert (University of Liverpool, UK) Kronenburg
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The Renaissance Flute : A Contemporary Guide
Kate (Teacher of Historical Flutes and Lecturer, Teacher of His Clark
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Nothing but Noise : Timbre and Musical Meaning at the Edge
Zachary (Assistant Professor of Musicology, Assistant Profes Wallmark
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