SuperCollider for the Creative Musician : A Practical Guide
Eli (Assistant Professor of Music Composition-Theory, Assi Fieldsteel
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Multi-Camera Cinematography and Production : Camera, Lighting, and Other Production Aspects for Multiple Camera Image Capture
David (Fairleigh Dickinson University, USA) Landau
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Playing & Teaching the Saxophone : A Modern Approach
Allison D. (Associate Professor of Saxophone, Associate Profess Adams
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Ram Gopal : Interweaving Histories of Indian Dance
Ann R. (University of Roehampton, UK) David
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Music in Profile : Twelve Performance Studies
John (Professor, Professor, University of Cambridge) Rink
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A Guide to Post-classical Narration : The Future of Film Storytelling
Dr. Eleftheria (Aristotle University of Thessaloniki, Greece Thanouli
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The Story of Victorian Film
Bryony (British Film Institute, UK) Dixon
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Lessons in Gratitude : A Memoir on Race, the Arts, and Mental Health
Aaron P. Dworkin
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How To Build Relationships in the Music Industry : A Guide for Musicians
Arlette Hovinga
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The Songwriter's Handbook : Power Strategies for Crafting Great Lyrics
Mark Winkler
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Pixel Soundtracks : Exploring Video Game Music Through Twenty Games
Tim Summers
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The New Musician : The Art of Entrepreneurship in Today's Music Business
Menzie Pittman
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Music Marketing for the DIY Musician : Creating and Executing a Plan of Attack on a Low Budget
Bobby Borg
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Paused in Cosmic Reflection : The definitive, fully illustrated story of The Chemical Brothers
The Chemical Brothers
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J. S. Bach : The Organ Works
George B. (Dean of the Mason Gross School of the Arts and Pr Stauffer
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The Gospel Of The Hold Steady : How a Resurrection Really Feels
Michael Hann
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Tim Burton's The Nightmare Before Christmas Visual Companion (commemorating 30 Years)
David A. Bossert
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Body Impossible : Desmond Richardson and the Politics of Virtuosity
Ariel (Faculty, Faculty, California Institute of the Arts) Osterweis
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Experimental Film and Queer Materiality
Juan A. (Professor of American Studies, Professor of American Suarez
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Tell Your Story : Visual Storytelling Pitfalls and How to Avoid Them
Bill (Member of American Society of Cinematographers (ASC), Prof Dill
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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