Captain America and the American Journey, 1940-2022
Richard A. Hall
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Podcasting as an Intimate Medium
Alyn (University of Leipzig, Germany) Euritt
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Spanish Film Policies and Gender
Jara Fernandez (University of Southampton, UK) Meneses
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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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The Performance of Law : Everyday Lawyering at the Intersection of Advocacy and Imagination
Randy (Texas A&M University, USA.) Gordon
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Abraham Lincoln and Women in Film : One Hundred Years of Hollywood Mythmaking
Frank J. Wetta
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Movie History: A Survey : Second Edition
Douglas (University of Maryland, USA) Gomery
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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Film Directing Fundamentals : See Your Film Before Shooting
Nicholas T. (Professor of Film at the Film Division, School Proferes
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History on Film/Film on History
Robert A. Rosenstone
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History on Film/Film on History
Robert A. Rosenstone
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Equipping James Bond : Guns, Gadgets, and Technological Enthusiasm
Andre (University of Alabama at Birmingham) Millard
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The Technique of Film and Video Editing : History, Theory, and Practice
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Cinema, Memory, Modernity : The Representation of Memory from the Art Film to Transnational Cinema
Russell J.A. Kilbourn
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Feeling Film: Affect and Authenticity in Popular Cinema
Greg (University of Stirling, Scotland) Singh
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Film, Form, and Culture : Fourth Edition
Robert (University of Maryland, USA) Kolker
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Dancefilm : Choreography and the Moving Image
Erin (Lecturer, Lecturer, University of New South Wales) Brannigan
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The Pocket Lawyer for Filmmakers : A Legal Toolkit for Independent Producers
Esq., Thomas A. (Lawyer, USA) Crowell
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Modern Post : Workflows and Techniques for Digital Filmmakers
Scott (Professor, Chapman University, Dodge College of Film Arundale
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Documentary Storytelling : Creative Nonfiction on Screen
Sheila (University at Albany, State University of New Curran Bernard
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America on Film : Representing Race, Class, Gender, and Sexuality at the Movies
Harry M. (University of North Texas, USA) Benshoff
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