Motion(less) Pictures : The Cinema of Stasis
Justin Remes
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Post-Fordist Cinema : Hollywood Auteurs and the Corporate Counterculture
Jeff Menne
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Hollywood's Embassies : How Movie Theaters Projected American Power Around the World
Ross (Professor, Emory University) Melnick
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Brazilian Cinema
Randal Johnson
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Hollywood and Hitler, 1933-1939
Thomas Doherty
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After the Silents : Hollywood Film Music in the Early Sound Era, 1926-1934
Michael Slowik
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"It's the Pictures That Got Small" : Charles Brackett on Billy Wilder and Hollywood's Golden Age
Anthony Slide
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The Essay Film After Fact and Fiction
Nora M. Alter
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Bombay Hustle : Making Movies in a Colonial City
Debashree Mukherjee
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Hearst Over Hollywood : Power, Passion, and Propaganda in the Movies
Louis Pizzitola
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Counter-Archive : Film, the Everyday, and Albert Kahn's Archives de la Planete
Paula Amad
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Hitchcock's Romantic Irony
Richard Allen
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Continental Strangers : German Exile Cinema, 1933-1951
Gerd Gemunden
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Unspeakable Histories : Film and the Experience of Catastrophe
William Guynn
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Chromatic Modernity : Color, Cinema, and Media of the 1920s
Sarah Street
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Rewriting Indie Cinema : Improvisation, Psychodrama, and the Screenplay
J. J. Murphy
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“Keep ’Em in the East” : Kazan, Kubrick, and the Postwar New York Film Renaissance
Richard Koszarski
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The Use and Abuse of Cinema : German Legacies from the Weimar Era to the Present
Eric Rentschler
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What Made Pistachio Nuts? : Early Sound Comedy and the Vaudeville Aesthetic
Henry Jenkins
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Deviant Eyes, Deviant Bodies : Sexual Re-Orientation in Film and Video
Chris Straayer
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This Mad Masquerade : Stardom and Masculinity in the Jazz Age
Gaylyn Studlar
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Orson Welles, Shakespeare, and Popular Culture
Michael Anderegg
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Melodrama and Modernity : Early Sensational Cinema and Its Contexts
Ben Singer
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