The Prop Building Guidebook : For Theatre, Film, and TV
Eric (Professional Prop Builder, New York, NY, USA) Hart
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Stage Management : Communication Design as Scenography
Michael (Guildford School of Acting, UK) Smalley
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century
James Harriman-Smith
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Speaking Shakespeare
Patsy Rodenburg
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360° Circus : Meaning. Practice. Culture
Franziska Trapp
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Trish Arnold : The Legacy of Her Movement Training for Actors
Lizzie (RADA, UK) Ballinger
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Redefining Theatre Communities : International Perspectives on Community-Conscious Theatre-Making
Marco Galea
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Nutrition for Dance and Performance
Jasmine Challis
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The Art of Dance Composition : Writing the Body
Jenefer Davies
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FORCE Fabric : How to Draw Clothes
Mike Mattesi
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How to Swing in Musical Theatre : A Guide to Covering the Ensemble
Jaye J. Elster
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Intimacy Directing for Theatre : Creating a Culture of Consent in the Classroom and Beyond
. Ayshia Mackie-Stephenson
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Insights in Applied Theatre : The Early Days and Onwards
Peter (The University of Auckland, New Zealand) O'Connor
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Martin McDonagh
Catherine Rees
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Career Paths of African American Directors : Pushing Boundaries
Saundra McClain
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Teaching Practical Theatrical 3D Printing : Creating Props for Production
Robert C. Berls
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The 'Female' Dancer : a soma-scientific approach
Claire Farmer
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Into Abolitionist Theatre : A Guidebook for Liberatory Theatre-making
Rivka Eckert
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