Warrior, Courtier, Singer : Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance
Richard Wistreich
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The Sounds and Sights of Performance in Early Music : Essays in Honour of Timothy J. McGee
Maureen Epp
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The Early Tudor Court and International Musical Relations
Theodor Dumitrescu
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Editing Music in Early Modern Germany
Susan Lewis Hammond
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The World of William Byrd : Musicians, Merchants and Magnates
John Harley
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Studies in the Music of Tomas Luis de Victoria
EugeneCasjen Cramer
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La theorie de la musique antique et medievale
Michel Huglo
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Studies in the Printing, Publishing and Performance of Music in the 16th Century
Stanley Boorman
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The Sources of Beneventan Chant
Thomas Forrest Kelly
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Revisiting the Music of Medieval France : From Gallican Chant to Dufay
Manuel Pedro Ferreira
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Luca Marenzio : The Career of a Musician Between the Renaissance and the Counter-Reformation
Marco Bizzarini
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Poets and Singers : On Latin and Vernacular Monophonic Song
Elizabeth Aubrey
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Institutions and Patronage in Renaissance Music
Thomas Schmidt-Beste
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Senza Vestimenta: The Literary Tradition of Trecento Song
Lauren Jennings
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Music and Musicians in 16th-Century Florence
Frank A. D’Accone
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The canzone villanesca alla napolitana : Social, Cultural and Historical Contexts
Donna G. Cardamone
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Giovanni Gabrieli and His Contemporaries : Music, Sources and Collections
Richard Charteris
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Gender, Sexuality, and Early Music
Todd C. Borgerding
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Liturgy and Contemplation in Byrd's Gradualia
Kerry (Duke University, Durham, North Carolina, USA) McCarthy
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Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology
Kevin N. Moll
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Counterpoint, Composition and Musica Ficta
Margaret Bent
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