SuperCollider for the Creative Musician : A Practical Guide
Eli (Assistant Professor of Music Composition-Theory, Assi Fieldsteel
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Add to BasketPlaying & Teaching the Saxophone : A Modern Approach
Allison D. (Associate Professor of Saxophone, Associate Profess Adams
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Add to BasketMusic in Profile : Twelve Performance Studies
John (Professor, Professor, University of Cambridge) Rink
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Paused in Cosmic Reflection : The definitive, fully illustrated story of The Chemical Brothers
The Chemical Brothers
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J. S. Bach : The Organ Works
George B. (Dean of the Mason Gross School of the Arts and Pr Stauffer
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The Gospel Of The Hold Steady : How a Resurrection Really Feels
Michael Hann
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Radiophilia
Dr. Carolyn (Associate Professor of Media Studies, Universit Birdsall
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Add to BasketFinding the Beat : Entrainment, Rhythmic Play, and Social Meaning in Rock Music
Nathan (Professor of Ethnomusicology, University of British Hesselink
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Music Theatre and the Holy Roman Empire : The German Musical Stage at the Turn of the Nineteenth Century
Austin (University of Durham) Glatthorn
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Yankee Doodle Dandy : George M. Cohan and the Broadway Stage
Elizabeth Titrington (Assistant Professor of Musicology, Assist Craft
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Life 24x a Second : Cinema, Selfhood, and Society
Elsie (Professor of Cinema Studies, Professor of Cinema Studie Walker
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Spectacular Listening : Music and Disability in the Digital Age
Byrd (Assistant Director of Student Development, Assistant D McDaniel
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California Gold : Sidney Robertson and the WPA California Folk Music Project
Catherine Hiebert Kerst
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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So You Want to Sing Rock : A Guide for Performers
Matt, associate professor of vo Edwards
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A Light in the Darkness : The Music and Life of Joaquin Rodrigo
Javier (Complutense University of Madrid) Suarez-Pajares
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Constructing Music : Musical Explorations in Creative Coding
Teresa M. (Professor of Music, Design, and Creative Technology, Nakra
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Sex and Gender in Pop/Rock Music : The Blues Through the Beatles to Beyonce
Prof Walter (Professor Emeritus, University of Michigan, USA) Everett
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Add to BasketStreaming Sounds : Musical Listening in the Digital Age
Michael James (University of Canberra, Australia) Walsh
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Add to BasketCreative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas (Norwegian Academy of Music, Oslo) Sonning
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Add to BasketHearing Double : Jazz, Ontology, Auditory Culture
Brian (Associate Professor of Music and Film and Media Studies, Kane
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Practical Musicology
Professor Simon (University of West London, UK) Zagorski-Thomas
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