William Bartram's Visual Wonders: The Drawings of an American Naturalist
Elizabeth A Athens
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The End of Meaning : Cultural Change in America Since 1945
William A Sikes
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Technified Muses : Reconfiguring National Bodies in the Mexican Avant-Garde
Sara A. Potter
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The 'Made in Germany' Champion Brands : Nation Branding, Innovation and World Export Leadership
Ugesh A. Joseph
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Smoothing the Jew : "Abie the Agent" and Ethnic Caricature in the Progressive Era
Jeffrey A. Marx
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Nonhuman Photography
Joanna (Department of Media and Communications) Zylinska
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Scented Visions : Smell in Art, 1850-1914
Christina (Courses and Events Programmer, The National Gal Bradstreet
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Profiles of the Mannequin : The Cultural and Historical Impact of the Mannequin
Eric (Visual Merchandising and Store Design Magazine, USA) Feigenbaum
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A Moon Watch Story : The Extraordinary Destiny of the Omega Speedmaster
G.R.A.M (Collective)
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Modern Life of The Immortals : Illustrated Edition
Fang (Centre for Addiction and Mental Health Canada) Liu
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Images of Childhood : A Visual History From Stone to Screen
Professor Emeritus Paul (University of Illinois, USA, and Univ Duncum
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Creating the Perfect Form : How to Interpret and Display Historic Dress
Janet (Consultant, specialising in the conservation and display Wood
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Performance and Modernity : Enacting Change on the Globalizing Stage
Julia A. (Washington University, St Louis) Walker
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Tell it to the World : The Broadway Musical Abroad
David (Distinguished Professor of Theatre and Performance, Dis Savran
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Foundations of Visual Communication : How Visuals Appear in Daily Life
Yvonne (Malardalen University, Eskilstuna, Sweden) Eriksson
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Art and Commerce in Late Imperial Russia : The Peredvizhniki, a Partnership of Artists
Dr Andrey (Research Fellow and Lecturer, European University Shabanov
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The Seven Wonders of the Ancient World : Science, Engineering and Technology
Michael Denis (Emeritus Professor, Emeritus Professor, Univer Higgins
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Museum Worthy : Nazi Art Plunder in Postwar Western Europe
Elizabeth (Professor of History and Director of the Center f Campbell
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Power, Image, and Memory : Historical Subjects in Art
Peter J. (Professor Emeritus of the History of Art and Class Holliday
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