Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Music Criticism and Music Critics in Early Francoist Spain, Hardback Book

Hardback

Description

The early years of the Franco regime saw the formation of a strong governmental propaganda apparatus.

Through expansive press laws that solidified state control over public and private media outlets alike, the Franco government directly influenced what information was made available to the public.

While music critics and journalists were by no means free from government control and direction, music criticism under the Franco regime did not adhere to any official party "line" on music.

Indeed, music criticism often demonstrated a diversity of opinion and ideological belief that runs counter to many common assumptions about journalism under fascist regimes. In Music Criticism and Music Critics in Early Francoist Spain, Eva Moreda Rodríguez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime.

Although she does not shy away from the thorny issues of propaganda and censorship, Moreda Rodríguez considers other factors that shaped the journalistic discourse surrounding music.

Political rivalries, ideological diversity within musical "conservatism," as well as the explicit and implicit expectations of the Franco government all influenced the diverse landscape of music criticism.

Moreover, the central issues that music critics were concerned with during Francoism's early years-modernist music, Spanish early music, traditional music, and music's role in organizing the state-had already been at the center of debates within the press for several decades.

Carefully selecting contemporary writings by well-known music critics, Moreda Rodríguez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth century onwards.

The first critical study of the musical press of Francoist Spain in the broader cultural and social fabric of the regime, Music Criticism and Music Critics in Early Francoist Spain is an essential resource for musicologists interested in 20th-century Spain, as well as Hispanists interested in the early Franco regime.

Information

£59.00

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information

Also in the Currents in Latin American and Iberian Music series  |  View all