Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

The Public Mirror : Moliere and the Social Commerce of Depiction, Hardback Book

The Public Mirror : Moliere and the Social Commerce of Depiction Hardback

Hardback

Description

Though much beloved and widely produced, Moliere's satirical comedies pose a problem for those reading or staging his works today: how can a genre associated with biting caricature and castigation deliver engaging theatre?

Instead of simply dismissing social satire as a foundation for Moliere's theatre, Larry F.

Norman takes seriously Moliere's claim that his satires are first and foremost effective theatre.

Pairing close readings of Moliere's comedies with accounts of French social history and aesthetics, Norman shows how Moliere perceived satire as a "public mirror" provoking dynamic exchange and conflict with audience members obsessed with their own images.

Drawing on these tensions, Moliere portrays characters satirizing one another on stage, with their reactions providing dramatic conflict and propelling comic dialogue.

By laying bare his society's system of imagining itself, Moliere's satires both enthralled and enraged his original audience and provide us with a crucial key to the classical culture of representation.

Information

Other Formats

Save 0%

£80.00

£79.89

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information