Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Women's Irony : Rewriting Feminist Rhetorical Histories, Paperback / softback Book

Women's Irony : Rewriting Feminist Rhetorical Histories Paperback / softback

Part of the Studies in Rhetorics and Feminisms series

Paperback / softback

Description

In Women’s Irony: Rewriting Feminist Rhetorical Histories, author Tarez Samra Graban synthesizes three decades of scholarship in rhetoric, linguistics, and philosophy to present irony as a critical model for feminist rhetorical historiography that is not linked to humor, lying, or intention.

Using irony as a form of ideological disruption, this innovative approach allows scholars to challenge simplistic narratives of who harmed, and who was harmed throughout rhetorical history. Three case studies of women’s political discourse between 1600 and 1900—examining the work of Anne Askew, Anne Hutchinson, and Helen M.

Gougar—demonstrate how reading historical texts ironically complicates the theoretical relationships between women and agency, language and history, and archival location and memory.

Interwoven throughout are shorter case studies from twentieth-century performances, revealing irony’s consciousness-raising potential for the present and future.

Together, these case studies suggest fresh ways to question women’s histories and consider how contemporary feminist discourse might be better historicized.

Graban urges scholars to re-examine the methods, theories, and practices used in their work as historiographers and rethink how historical knowledge is produced and how archives are used to recover women’s political performances. Ultimately Women’s Irony suggests alternative ways to question women’s histories and consider how contemporary feminist discourse might be better historicized.

Graban challenges critical methods in rhetoric, asking scholars in rhetoric and its related disciplines—composition, communication, and English studies—to rethink how they produce historical knowledge and use archives to recover women’s performances in political situations.

Information

Information