The Beginner’s Guide to Cosplay Armor & Props : Craft Epic Fantasy Costumes and Accessories with EVA Foam
Joyce van den Goor
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Add to BasketChekhov’s Sakhalin Journey : Doctor, Humanitarian, Writer
Jonathan (Bournemouth University, UK) Cole
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Add to BasketRevisiting Shakespeare’s Italian Resources : Memory and Reuse
Silvia Bigliazzi
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An Actor’s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus (Freelance practitioner, UK) Lowe
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Add to BasketAn Actor’s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus (Freelance practitioner, UK) Lowe
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An Actor s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus Lowe
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An Actor s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus Lowe
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To Repair the World : Zelda Fichandler and the Transformation of American Theater
Mary B. Robinson
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Theatre and Human Rights : The Politics of Dramatic Form
Gary M. English
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My Shakespeare : A Director’s Journey through the First Folio
Greg Doran
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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African American Perspectives in Musical Theatre
Eric M. (Yale University, USA) Glover
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Add to BasketShakespeare and the Theater of Pity : Sinon’s Borrowed Tears
Shawn Smith
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Post-choreography : Jerome Bel’s Choreography and Movement in Malfunction
Shuntaro Yoshida
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Kattaikkuttu : A Rural Theatre Tradition in South India
Hanne M. de (Independent theatre artist, India) Bruin
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Add to BasketArt Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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Performing the Transition to Democracy : Theater and Performance in 1970s Spain
David Rodriguez-Solas
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Speech Act Theory and Shakespeare : Scenes of Thanking in Shakespeare’s Plays
Chahra Beloufa
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Transfiguring Tragedy : Schopenhauer, Stirner, and Nietzsche in Eugene O’Neill’s Early Plays
Ryder Thornton
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The Creative Economy : Arts, Cultural Value and Society in Practice
Amanda J. Ashley
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The Woman’s Voice
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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Add to BasketShakespeare’s Global Sonnets : Translation, Appropriation, Performance
Jane Kingsley-Smith
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Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire
Vicky Angelaki
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Add to BasketA Teacher’s Guide to Musical Theatre
Professor Kenneth Pickering
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