Women’s Agency and Mobile Communication Under the Radar
Xin (University of Melbourne, Australia) Pei
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Properties of Plastics : A Guide for Conservators
Thea B. van Oosten
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The Artist as Economist : Art and Capitalism in the 1960s
Sophie Cras
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Irma Stern and the Racial Paradox of South African Modern Art : Audacities of Color
LaNitra M. (George Mason University, USA) Berger
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The Book of Hours and the Body : Somaesthetics, Posthumanism, and the Uncanny
Sherry C. M. (Western Illinois University, USA) Lindquist
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An Anarchitectural Body of Work : Suzanne Harris and the Downtown New York Artists’ Community in the 1970s
Friederike Schafer
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Mary Kelly's Concentric Pedagogy : Selected Writings
Mary (Judge Widney Professor at the USC Roski School of Art and Kelly
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£75.00
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Photography 4.0: A Teaching Guide for the 21st Century : Educators Share Thoughts and Assignments
Michelle Bogre
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Television’s Streaming Wars
Arienne (Florida State University, USA) Ferchaud
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Shakespeare’s Forgotten Allegory : Vice, Virtue, and Spoilt Children
Julian Real
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Hegel and the Present of Art’s Past Character
Alberto L. (University of Pisa, Italy) Siani
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Experiential Visualization in Architectural Design Media : How It Actually Works
Vincent B. Canizaro
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20 Seasons: Broadway Musicals of the 21st Century
Amy S. Osatinski
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Wissensvermittlung in TV-Magazinen f?r Kinder; Genre - Moderationsrollen - Vermittlungsverfahren
Maike S?nger
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Organizing Eating : Communicating for Equity Across U.S. Food Systems
Sarah E. Dempsey
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Framing the Police on Twitter : Public Discourse on Abolishing Police, Defunding Police, and Community Policing
Benjamin Gross
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The Complete Guide to Blender Graphics : Computer Modeling and Animation: Volumes One and Two
John M. (Toormina, New South Wales, Australia) Blain
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Thin Place Design : Architecture of the Numinous
Phillip James (Texas A&M University, USA) Tabb
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J.B. Priestley
Maggie B. (University of Manchester, UK) Gale
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£110.00
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Deutscher B?hnen-Almanach : Dreiunddrei?igster Jahrgang
A Entsch
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Deutscher B?hnen-Almanach : Einunddrei?igster Jahrgang
A Entsch
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B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present
George Plasketes
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