Das Corporate-Literature-Modell : Wie viel Literatur steckt in der Unternehmenskommunikation?: Zum Aesthetisch-Literarischen in der modernen Unternehmenskommunikation
Barbara Jesch
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The Supersensible in Kant’s «Critique of Judgment»
Julie N. Books
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Jung’s Reception of Picasso and Abstract Art
Lucinda Hill
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Grace Pailthorpe’s Writings on Psychoanalysis and Surrealism
Alberto Stefana
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Art, Design and Capital since the 1980s : Production by Design
Bill Roberts
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The Media’s Role in Defining the Nation : The Active Voice
David Copeland
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Movement and Dance in Young Children’s Lives : Crossing the Divide
Adrienne N. Sansom
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Compositional Process in Elliott Carter’s String Quartets : A Study in Sketches
Laura Emmery
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Grassroots Voices on the U.S.-China Copyright Disputes
Dexin Tian
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Mutation(s) du paysage contemporain, entre analogique et numerique
Herve Penhoat
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Pastiche, Fashion, and Galanterie in Chardin’s Genre Subjects : Looking Smart
Paula Radisich
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Shakespeare’s First Folio Cue Scripts – Romances and Histories : A New Window on Shakespeare
Patrick Tucker
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Art and Street Politics in the Global 1960s : Yoshio Nakajima and the Global Avant-Garde
William (University of California, Los Angeles, USA) Marotti
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Primitivist-Modernism : Black Culture and the Origins of Transatlantic Modernism
Sieglinde (Assistant Professor of American Studies, Assistant P Lemke
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Gro?maehren und seine Nachbarn
Robert Luft
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Politics and Heidegger’s Concept of Thinking in Contemporary Art
Louise Carrie Wales
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Women’s Suffrage in Word, Image, Music, Stage and Screen : The Making of a Movement
Christopher (University of Surrey, UK) Wiley
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Object–Event–Performance – Art, Materiality, and Continuity Since the 1960s
Hanna B. Holling
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Singing the Gospel along Scotland’s North-East Coast, 1859–2009
Frances Wilkins
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