Shakespeare’s Global Sonnets : Translation, Appropriation, Performance
Jane Kingsley-Smith
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Danj?r?'s Girls : Women on the Kabuki Stage
Loren Edelson
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Staging Harriet’s House : Writing and Producing Research-Informed Theatre
Tara Goldstein
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An Actor’s Research : Investigating Choices for Practice and Performance
Tamsin Stanley
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Shakespeare’s Imagined Persons : The Psychology of Role-Playing and Acting
P. Murray
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Shakespeare’s Imagined Persons : The Psychology of Role-Playing and Acting
P. Murray
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Shakespeare’s Auditory Worlds : Hearing and Staging Practices, Then and Now
Laury Magnus
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The People’s Dance : The Power and Politics of Guangchang Wu
Rose Martin
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Shakespeare’s Body Language : Shaming Gestures and Gender Politics on the Renaissance Stage
Miranda Fay (Trinity College Dublin, Ireland) Thomas
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Borderlands Children’s Theatre : Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
Cecilia Josephine Aragon
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sChOOL MOVES : Neue kindzentrierte tanzpadagogische Konzepte fur die Grundschule anhand einer Befragung von 6-10jahrigen Tanzerinnen
Rebekka Rom
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Fenomen Novatorstva V Tvorchestve Baletmeystera M.Fokina
Nesterov Valeriy
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Der Hofmeister von J. M. R. Lenz : Ein Versuch Einer Neuinterpretation
Angela L. Hansen
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Fearless Femininity by Women in American Theatre, 1910s to 2010s
Lynne Greeley
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Michael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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The Projection Designer’s Toolkit
Jeromy (Eastern Michigan University, USA) Hopgood
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Thomas Holcroft’s Revolutionary Drama : Reception and Afterlives
Amy Garnai
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Pina Bausch’s Aggressive Tenderness : Repurposing Theater through Dance
Telory D. Arendell
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Montazstroj’s Emancipatory Performance Politics : Never Mind the Score
Leo Rafolt
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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