Orchestra Management in Practice
Salvino A. Salvaggio
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None Shakespeare's Reception and Interpretation in the Baltics
RamunA- MarcinkeviciA«tA-
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Dancing in the World : Revealing Cultural Confluences
Sinclair Ogaga Emoghene
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Dancing in the World : Revealing Cultural Confluences
Sinclair Ogaga Emoghene
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Dancing in the World : Revealing Cultural Confluences
Sinclair Ogaga Emoghene
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The Bread & Roses Playwriting Award : Hungerland by Rachel O'Regan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont
Rachel O'Regan
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Experimental Irish Theatre : After W.B. Yeats
I. Walsh
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New Deal Theater : The Vernacular Tradition in American Political Theater
I. Saal
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DNA Technology : The Awesome Skill
I. Edward Alcamo
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Theatres of Feeling : Affect, Performance, and the Eighteenth-Century Stage
Jean I. Marsden
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Theatres of Feeling : Affect, Performance, and the Eighteenth-Century Stage
Jean I. Marsden
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From the Theater to the Plaza : Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid
Matthew I. Feinberg
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From the Theater to the Plaza : Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid
Matthew I. Feinberg
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Costuming the Shakespearean Stage : Visual Codes of Representation in Early Modern Theatre and Culture
Robert I. Lublin
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Costuming the Shakespearean Stage : Visual Codes of Representation in Early Modern Theatre and Culture
Robert I. Lublin
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A Psychoanalytic Perspective on Tragedy, Theater and Death : Tadeusz Kantor and the Ontology of the Self
Konstantinos I. Arvanitakis
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A Psychoanalytic Perspective on Tragedy, Theater and Death : Tadeusz Kantor and the Ontology of the Self
Konstantinos I. Arvanitakis
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Theatre of the Ridiculous : A Critical History
Kelly I. Aliano
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Fatal Desire : Women, Sexuality, and the English Stage, 1660-1720
Jean I. Marsden
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On the Uses of the Fantastic in Modern Theatre : Cocteau, Oedipus, and the Monster
I. Eynat-Confino
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None Intermediality and Spectatorship in the Theatre Work of Robert Lepage : The Solo Shows
Aristita I. Albacan
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Introduction to Production : Creating Theatre Onstage, Backstage, & Offstage
Robert I. Sutherland-Cohen
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