Pina Bausch
Royd (The New School for Liberal Arts, New York, USA) Climenhaga
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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Making Hip Hop Theatre : Beatbox and Elements
Dr Katie (University of the Arts London, UK) Beswick
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Psychology for Dancers : Theory and Practice to Fulfil Your Potential
Cathy (Truro and Penwith College, UK) Schofield
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Historical Wig Styling: Ancient Egypt to the 1830s
Allison (Wig and Makeup Specialist, Austin Performing Arts Cen Lowery
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Historical Wig Styling: Victorian to the Present
Allison (Wig and Makeup Specialist, Austin Performing Arts Cen Lowery
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The Clowning Workbook : A Practical Course
Jon (Royal Central School of Speech and Drama, University of Davison
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Voice
Jane (Central School of Speech and Drama, London, UK) Boston
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Shakespeare's Blank Verse : An Alternative History
Robert (Leverhulme Research Fellow, Shakespeare Institute, Stra Stagg
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Critical Companion to Native American and First Nations Theatre and Performance : Indigenous Spaces
Jaye T. (University of California, Los Angeles, USA) Darby
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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Stanislavsky and Pedagogy
Stefan Aquilina
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Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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The Holistic Acting Technique Handbook
The Acting Doctor
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The Need for Words : Voice and the Text
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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The Drama Handbook : A Guide to Reading Plays
John (, University of Notre Dame) Lennard
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Harnessing the Technicolor Rainbow : Color Design in the 1930s
Scott Higgins
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Performance Lighting Design : How to light for the stage, concerts and live events
Nick (Royal Central School of Speech and Drama, UK) Moran
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