Latinas en los m?rgenes : QueerARTivismo y TRANSdisciplinariedad: hacia una politizaci?n de la autobiograf?a visual de mujeres invisibles
Rosita Scerbo
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Beethoven’s «Eroica» : Thematic Studies. Translated by Ernest Bernhardt-Kabisch
Constantin Floros
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The Actor’s Workbook : A Practical Guide to Training, Rehearsing and Devising + Video
Alex (RADA, UK) Clifton
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Modern Drama by Women 1880s-1930s
Katherine E. Kelly
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America’s Japan and Japan’s Performing Arts : Cultural Mobility and Exchange in New York, 1952–2011
Barbara Thornbury
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Mendel’s Theatre : Heredity, Eugenics, and Early Twentieth-Century American Drama
T. Wolff
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M. William Shak-Speare's King Lear : The First Quarto, 1608; A Facsimile (From the British Museum Copy, C. 34; K. 18;)
William Shakespeare
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Choreography, Visual Art and Experimental Composition 1950s-1970s
Erin Brannigan
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Choreography, Visual Art and Experimental Composition 1950s-1970s
Erin Brannigan
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Danj?r?’s Girls : Women on the Kabuki Stage
L. Edelson
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An Actor’s Research : Investigating Choices for Practice and Performance
Tamsin Stanley
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An Actor’s Research : Investigating Choices for Practice and Performance
Tamsin Stanley
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An Actor’s Research : Investigating Choices for Practice and Performance
Tamsin Stanley
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Staging Harriet’s House : Writing and Producing Research-Informed Theatre
Tara Goldstein
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Shakespeare’s Auditory Worlds : Hearing and Staging Practices, Then and Now
Laury Magnus
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McGonagall s Chronicles : (Which Will Be Remembered For A Very Long Time)
McNair Gary McNair
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The Actor’s Workbook : A Practical Guide to Training, Rehearsing and Devising + Video
Alex Clifton
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The Actor’s Workbook : A Practical Guide to Training, Rehearsing and Devising + Video
Alex Clifton
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Shakespeare’s Body Language : Shaming Gestures and Gender Politics on the Renaissance Stage
Miranda Fay (Trinity College Dublin, Ireland) Thomas
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Shakespeare’s Body Language : Shaming Gestures and Gender Politics on the Renaissance Stage
Miranda Fay (Trinity College Dublin, Ireland) Thomas
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Shakespeare’s Body Language : Shaming Gestures and Gender Politics on the Renaissance Stage
Miranda Fay (Trinity College Dublin, Ireland) Thomas
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The Earliest Plays of J. M. Barrie : Bandelero the Bandit, Bohemia and Caught Napping
J. M. Barrie
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Michael Chekhov s Acting Technique : A Practitioner s Guide
Sin ad Rushe
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