Complicit Participation : The Liberal Audience for Theater of Racial Justice
Carrie J. (Professor of English and Women's, Gender, & Sexual Preston
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Social Capacity Building through Applied Theatre : Developing Imagination, Emotional and Reflective Skills in the Human Services
Au (Hong Kong Drama/Theatre and Education Forum) Yi-Man
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Badhai : Hijra-Khwaja Sira-Trans Performance across Borders in South Asia
Adnan (Utrecht University, the Netherlands) Hossain
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Tragedy: A Very Short Introduction
Adrian (Professor of English Literature, University of Cambridg Poole
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Theatre: A Very Short Introduction
Marvin (Sidney E. Cohn Distinguished Professor of Theatre, Co Carlson
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Modern Drama: A Very Short Introduction
Kirsten (University Lecturer in Modern Drama, Faculty o Shepherd-Barr
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Tragedy: A Very Short Introduction
Adrian Poole
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Voice and the Actor
Cicely (Central School of Speech and Drama; Royal Albert Hall, Berry
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Patternmaking with Stretch Knit Fabrics : Bundle Book + Studio Access Card
Julie (Harper College and Mount Mary College, USA) Cole
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The Complete Make-Up Artist
Penny (Founder, The Delamar Academy, Ealing Film Studios, Lon Delamar
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The Makeup Artist Handbook : Techniques for Film, Television, Photography, and Theatre
Gretchen (Freelance Makeup Artist and Writer, USA) Davis
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How to Write About Theatre : A Manual for Critics, Students and Bloggers
Mark (arts commentator and freelance writer, UK) Fisher
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Actor Movement : Expression of the Physical Being
Vanessa (Central School of Speech and Drama, UK) Ewan
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Michael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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A Practical Guide to Stage Lighting
Steven Louis (Lighting Designer; Production Manager; and Stag Shelley
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Draping Period Costumes: Classical Greek to Victorian : (The Focal Press Costume Topics Series)
Sharon (Professor of Theatre and Costume Design, University of Sobel
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Theatre and Photography
Joel (The Royal Central School of Speech and D, London) Anderson
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Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity
Lynne (Resident Designer and Director, Theatre Program at Fair Porter
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Performance Studies : An Introduction
Richard (Tisch School of the Arts, NYU, USA) Schechner
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The Woman’s Voice
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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The Essential Theatre
John (Texas State University) Fleming
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Stanislavski in Practice : Exercises for Students
Nick (The Stanislavski Experience, UK) O'Brien
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