Authoring Performance : The Director in Contemporary Theatre
A. Sidiropoulou
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Shakespeare and Genre : From Early Modern Inheritances to Postmodern Legacies
A. Guneratne
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Picturing the Primitive : Visual Culture, Ethnography, and Early German Cinema
A. Oksiloff
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Shakespeare and Technology : Dramatizing Early Modern Technological Revolutions
A. Cohen
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A Syncretistic Theory of Depiction
A. Voltolini
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Media Parasites in the Early Avant-Garde : On the Abuse of Technology and Communication
A. Niebisch
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Shakespeare and the Shrew : Performing the Defiant Female Voice
A. Kamaralli
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Animals in the Classical World : Ethical Perspectives from Greek and Roman Texts
A. Harden
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Avant-Garde Theatre Sound : Staging Sonic Modernity
A. Curtin
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Intermedial Shakespeares on European Stages
A. Mancewicz
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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Theatre and Event : Staging the European Century
A. Kear
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Interfacing with the Internet in Popular Cinema
A. Tucker
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Film Sound in Italy : Listening to the Screen
A. Sisto
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The Dangerous Lives of Public Performers : Dancing, Sex, and Entertainment in the Islamic World
A. Shay
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American Comics, Literary Theory, and Religion : The Superhero Afterlife
A. Lewis
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The Shakespearean Dramaturg : A Theoretical and Practical Guide
A. Hartley
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Appropriation as Practice : Art and Identity in Argentina
A. Schneider
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Reliability Engineering for Nuclear and Other High Technology Systems (1985) : A practical guide
A.A. Lakner
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