Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Add to BasketOn Bette Midler : An Opinionated Guide
Kevin (Former curator, archivist, and administrator, Former c Winkler
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Creating Space for Shakespeare : Working with Marginalized Communities
Rowan (Independent scholar and theatre practitioner, UK) Mackenzie
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Tell it to the World : The Broadway Musical Abroad
David (Distinguished Professor of Theatre and Performance, Dis Savran
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Complicit Participation : The Liberal Audience for Theater of Racial Justice
Carrie J. (Professor of English and Women's, Gender, & Sexual Preston
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Social Capacity Building through Applied Theatre : Developing Imagination, Emotional and Reflective Skills in the Human Services
Au (Hong Kong Drama/Theatre and Education Forum) Yi-Man
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Theatre: A Very Short Introduction
Marvin (Sidney E. Cohn Distinguished Professor of Theatre, Co Carlson
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How to Write About Theatre : A Manual for Critics, Students and Bloggers
Mark (arts commentator and freelance writer, UK) Fisher
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Add to BasketActor Movement : Expression of the Physical Being
Vanessa (Central School of Speech and Drama, UK) Ewan
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Add to BasketMichael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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Add to BasketDraping Period Costumes: Classical Greek to Victorian : (The Focal Press Costume Topics Series)
Sharon (Professor of Theatre and Costume Design, University of Sobel
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The Right to Speak : Working with the Voice
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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Add to BasketThe Actor Speaks : Voice and the Performer
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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Add to BasketTheatrical Makeup : Basic Application Techniques
Sharon (Professor of Theatre and Costume Design, University of Sobel
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Add to BasketTheatre and Photography
Joel (The Royal Central School of Speech and D, London) Anderson
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Psychology for Dancers : Theory and Practice to Fulfil Your Potential
Cathy (Truro and Penwith College, UK) Schofield
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Add to BasketHistorical Wig Styling: Ancient Egypt to the 1830s
Allison (Wig and Makeup Specialist, Austin Performing Arts Cen Lowery
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Add to BasketHistorical Wig Styling: Victorian to the Present
Allison (Wig and Makeup Specialist, Austin Performing Arts Cen Lowery
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Add to BasketThe Clowning Workbook : A Practical Course
Jon (Royal Central School of Speech and Drama, University of Davison
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Add to BasketVoice
Jane (Central School of Speech and Drama, London, UK) Boston
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Add to BasketShakespeare's Blank Verse : An Alternative History
Robert (Leverhulme Research Fellow, Shakespeare Institute, Stra Stagg
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Applied Theatre: A Pedagogy of Utopia
Selina (The Royal Central School of Speech and Drama, Universit Busby
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