The Abbey Theatre, 1899-1999 : Form and Pressure
Robert (Professor of English and Director of the Centre for Iri Welch
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Patrons and Performance : Early Tudor Household Revels
Suzanne R. (Assistant Professor of English and Theatre, Assi Westfall
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The Oxford Handbook of Sound and Image in Western Art
Yael (Instructor, Instructor, History and Theory Department of Kaduri
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Shakespeare in Parts
Simon (Fellow and Tutor in English, Brasenose College, Oxford Palfrey
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Postdramatic Tragedies
Emma (Lecturer in Liberal Arts and Classics, Lecturer in Liberal Cole
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Contemporary Monologues for Young Men and Women : v. 2
London Academy of Music and Dramatic Art
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Samuel Beckett's Theatre : Life-Journeys
Katharine (Emeritus Professor of Drama and Theatre Studies in t Worth
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The Makeup Artist Handbook : Techniques for Film, Television, Photography, and Theatre
Gretchen (Freelance Makeup Artist and Writer, USA) Davis
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Arts in Corrections : Thirty Years of Annotated Publications
Grady (Poet, literary translator, folklorist, and essayist.) Hillman
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Voiceover Narration : Creating Performances from the Inside Out
Dian (Voice actor, teacher and coach, UK) Perry
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Our House : Visual and Active Consulting
Antony (Santo and Williams P/L, Australia) Williams
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Theatrical Convention and Audience Response in Early Modern Drama
Jeremy (College of William and Mary, Virginia) Lopez
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John Durang : Man of the American Stage
Lynn Matluck (Franklin and Marshall College, USA) Brooks
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How to Write About Theatre : A Manual for Critics, Students and Bloggers
Mark (arts commentator and freelance writer, UK) Fisher
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Improvisation in Drama, Theatre and Performance : History, Practice, Theory
Anthony (School of English and American Studies, Norwich) Frost
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Imagining Spectatorship : From the Mysteries to the Shakespearean Stage
John J. (Emeritus Professor of Medieval Literature and Cultur McGavin
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Dionysus Since 69
Fiona Macintosh And Amanda Wrigley Edited By Edith Hall
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The Actor Speaks : Voice and the Performer
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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Sound Effect : The Theatre We Hear
Ross (Central School of Speech and Drama, London) Brown
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Michael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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The Outstanding Actor : Seven Keys to Success
Ken (Guildhall School of Music and Drama, UK) Rea
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The Woman’s Voice
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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