Women and Portraits in Early Modern Europe : Gender, Agency, Identity
Andrea Pearson
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Addiction and British Visual Culture, 1751-1919 : Wasted Looks
Julia Skelly
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Lievens und Rembrandt : Studien zum Verhaeltnis ihrer Kunst
Gutbrod Helga Gutbrod
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Franzoesische Deckenmalerei des 17. und 18. Jahrhunderts : Theorie und Entwicklung der Dekorationssysteme
Schulten Holger Schulten
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Tisch und Bett : Die Hochzeit im Ostseeraum seit dem 13. Jahrhundert
Riis Thomas Riis
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Rembrandt. The Return of the Prodigal Son
Sergei Daniel
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Masterpiece in Residence : Velazquez's King Philip IV of Spain from The Frick Collection
Giles Knox
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Baroque : 300 Years Old and as Young as Ever
Luca Dal Pozzolo
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Life Of The Wild : A Whimsical Adult Coloring Book: Stress Relieving Animal Designs: A Swear Word Coloring Book
Adult Coloring Books
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Arte Povera and the Baroque : Building an International Identity
Laura Petican
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Gartenkunst und Wissenschaft : Diskurs, Repraesentation, Transformation seit dem Beginn der Fruehmoderne
Julia Burbulla
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Pets and their Couples : Chardin, Charriere, Bernardin de Saint-Pierre, and Marivaux
Servanne Woodward
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A God or a Bench : Sculpture as a Problematic Art during the Ancien Regime
Anne Betty Weinshenker
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Le vitrail et les traites du Moyen Age a nos jours : Actes du XXIII e colloque international du "Corpus Vitrearum"- Tours 3-7 juillet 2006
Karine Boulanger
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European Fans in the 17th and 18th Centuries : Images, Accessories, and Instruments of Gesture
Miriam Volmert
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Der Geschmack des Neuen : Das Motiv des Tabakrauchens und seine Modernitaet in der niederlaendischen Kunst
Augustin Roland Augustin
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Totentanz und Obrigkeit : Illustrierte Erbauungsliteratur von Conrad Meyer im Kontext reformierter Bilderfeindlichkeit im Zuerich des 17. Jahrhunderts
Strole Ingeborg Strole
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Tizian in England : Zur Kunstrezeption am Hof Karls I.
Reinhardt Sophie Reinhardt
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On Composition as Method and Topic : Studies on the Work of L. B. Alberti, Leonardo, Michelangelo, Raphael, Rubens, Picasso, Bernini and Ignaz Guenther Tel Aviv Lectures
Rudolf Kuhn
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Ganz ohne Pinsel gemalt : Studien zur Darstellung der Produktionsstrukturen niederlaendischer Malerei im "Schilder-Boeck" von Karel van Mander (1604)
Achim Stanneck
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