Following the Score : The Ravel Trilogy
Michael (University of Lincoln) Pinchbeck
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Following the Score : The Ravel Trilogy
Michael Pinchbeck
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Following the Score : The Ravel Trilogy
Michael Pinchbeck
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Directing Scenes and Senses : The Thinking of Regie
Peter Boenisch
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New Media Dramaturgy : Performance, Media and New-Materialism
Peter Eckersall
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Performance Costume : New Perspectives and Methods
Professor Sofia (Aalto University, Finland) Pantouvaki
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Strategies for Success in Musical Theatre : A Guide for Music Directors in School, College, and Community Theatre
Herbert D. Marshall
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Ivo van Hove : From Shakespeare to David Bowie
Professor Sonia (Sapienza, University of Rome, Italy, and King Massai
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Play Directing : Analysis, Communication, and Style
Francis Hodge
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Lightwork : Texts on and from Collaborative Multimedia Theatre
Alex (Guildhall School of Music and Drama) Mermikides
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Performance, Trauma and Puerto Rico in Musical Theatre
Colleen Rua
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Intimacy Directing for Theatre : Creating a Culture of Consent in the Classroom and Beyond
. Ayshia Mackie-Stephenson
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Strategies for Success in Musical Theatre : A Guide for Music Directors in School, College, and Community Theatre
Herbert D. Marshall
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The Theater of Experiment : Staging Natural Philosophy in Eighteenth-Century Britain
Al Coppola
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The Theater of Experiment : Staging Natural Philosophy in Eighteenth-Century Britain
Al Coppola
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The Diva's Gift to the Shakespearean Stage : Agency, Theatricality, and the Innamorata
Pamela Allen Brown
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The Diva's Gift to the Shakespearean Stage : Agency, Theatricality, and the Innamorata
Pamela Allen Brown
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The Players' Advice to Hamlet : The Rhetorical Acting Method from the Renaissance to the Enlightenment
David (University of Exeter) Wiles
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Samuel Beckett and the Language of Subjectivity
Derval Tubridy
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Shakespeare Survey 73 : Shakespeare and the City
Emma Smith
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Shakespeare Survey 73 : Shakespeare and the City
Emma Smith
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Screen Plays : Theatre Plays on British Television
Amanda Wrigley
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Performing Grand-Guignol : Playing the Theatre of Horror
Prof. Richard J. Hand
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