The Cambridge Shakespeare Guide
Emma (University of Oxford) Smith
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Modern Drama: A Very Short Introduction
Kirsten (University Lecturer in Modern Drama, Faculty o Shepherd-Barr
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The Art of Theatre : Then and Now
Wright (University of Wyoming)
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Theory/Theatre : An Introduction
Mark (University of Guelph, Canada) Fortier
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Voice
Jane (Central School of Speech and Drama, London, UK) Boston
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Making Hip Hop Theatre : Beatbox and Elements
Dr Katie (University of the Arts London, UK) Beswick
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Stanislavski in Practice : Exercises for Students
Nick (The Stanislavski Experience, UK) O'Brien
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Historical Wig Styling: Ancient Egypt to the 1830s
Allison (Wig and Makeup Specialist, Austin Performing Arts Cen Lowery
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Historical Wig Styling: Victorian to the Present
Allison (Wig and Makeup Specialist, Austin Performing Arts Cen Lowery
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Stage Combat Arts : An Integrated Approach to Acting, Voice and Text Work + Video
Christopher (University of Utah, USA) DuVal
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The Essential Theatre
John (Texas State University) Fleming
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Musical Theatre Histories : Expanding the Narrative
Millie (Professor of Musical Theatre, University of Winchester Taylor
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Theatre at the Crossroads of Culture
Patrice (University of Kent, UK) Pavis
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Voiceover Narration : Creating Performances from the Inside Out
Dian (Voice actor, teacher and coach, UK) Perry
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Get the Job in the Entertainment Industry : A Practical Guide for Designers, Technicians, and Stage Managers
Kristina (University of Central Florida, Orlando, USA) Tollefson
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The Stage Manager's Toolkit : Templates and Communication Techniques to Guide Your Theatre Production from First Meeting to Final Performance
Laurie (Department of Theatre Arts, University of Wisconsin, Kincman
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Theory for Theatre Studies: Memory
Milija (University of Warwick, UK) Gluhovic
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Critical Companion to Native American and First Nations Theatre and Performance : Indigenous Spaces
Jaye T. (University of California, Los Angeles, USA) Darby
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Voice and Speech for Musical Theatre : A Practical Guide
Chris (Guildford School of Acting, UK) Palmer
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Theatre and The Visual
Dominic (Queen Mary University of London, London) Johnson
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Early Modern Actors and Shakespeare's Theatre : Thinking with the Body
Prof Evelyn (University of Otago, New Zealand) Tribble
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Inclusive Arts Practice and Research : A Critical Manifesto
Alice (University of Brighton) Fox
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Performing Antiquity : Ancient Greek Music and Dance from Paris to Delphi, 1890-1930
Samuel N. (Assistant Professor of Musicology, Assistant Professo Dorf
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