The James Bond Songs : Pop Anthems of Late Capitalism
Adrian (Associate Professor of German Studies, Associate Profess Daub
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Web Marketing for the Music Business
Tom (formerly Department of Recording Industry, Middle Tenn Hutchison
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The Enterprising Musician's Guide to Performer Contracts
David R. Williams
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Dr. Jim (Dublin City University) Rogers
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Selling Digital Music, Formatting Culture
Jeremy Wade Morris
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Add to BasketFrom Demo to Delivery
Russ (York St John University, UK) Hepworth-Sawyer
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Chasing Sound : Technology, Culture, and the Art of Studio Recording from Edison to the LP
Susan (St. John's University) Schmidt Horning
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How to be a Pop Idol
Jeff Clark-Meads
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Add to BasketWhat is Music Production? : A Producers Guide: The Role, the People, the Process
Russ (York St John University, UK) Hepworth-Sawyer
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DIY Music and the Politics of Social Media
Dr. Ellis Jones
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Health and Safety Management in the Live Music and Events Industry
Chris Hannam
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Add to BasketMaking Money, Making Music : History and Core Concepts
David Bruenger
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Add to BasketMusic, Markets and Consumption
Daragh (Lecturer in Marketing, Management School, University O'Reilly
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Selling Out : Culture, Commerce and Popular Music
Professor Bethany (University of Leeds, UK) Klein
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Understanding Records, Second Edition : A Field Guide to Recording Practice
Dr. Jay (Western University, Canada) Hodgson
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Creating the Revolutionary Artist : Entrepreneurship for the 21st-Century Musician
Mark Rabideau
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Add to BasketMusic 4.1 : A Survival Guide for Making Music in the Internet Age
Bobby Owsinski
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Bobby Owsinski
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Add to BasketMusic Business Essentials : A Guide for Aspiring Professionals
Mark Cabaniss
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Add to BasketPopular Music, Digital Technology and Society
Nick (University of Edinburgh, UK) Prior
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10 Steps to Successfully Managing Recording Artists : A Guide to Effective Artist Management
Cappriccieo M Scates
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On Becoming a Rock Musician
H. Stith Bennett
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Add to BasketEntertainment Industry Economics : A Guide for Financial Analysis
Harold L. Vogel
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