Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Archival Storytelling : A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Sheila Curran (University at Albany, State University of New Bernard
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The GoFaSt Guide To Screenwriting : The Goals, Failures, and Stakes Model of Narrative Storytelling
Greg (The New School, USA) Takoudes
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Pablo Trapero and the Politics of Violence
Douglas (University of the Western Cape, Cape Town, South Af Mulliken
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Instrument of the State : A Century of Music in Louisiana's Angola Prison
Benjamin J. (Associate Professor of Music and Chair of the Pe Harbert
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Dancing Black, Dancing White : Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s
Julie (Professor of Dance and Theatre Studies, Professor of Da Malnig
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Popular Tropes of Identity in Contemporary Russian Television and Film
Irina (University of Amsterdam, The Netherlnds) Souch
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Secrets of Screen Directing : The Tricks of the Trade
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Remix Multilingualism : Hip Hop, Ethnography and Performing Marginalized Voices
Dr Quentin (University of the Western Cape, South Africa) Williams
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Fashioning Indie : Popular Fashion, Music and Gender
Rachel (Parsons School of Design, The New School, New York, US Lifter
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Mass Producing European Cinema : Studiocanal and Its Works
Dr Christopher (University of the West Indies, St. Augustine, Tr Meir
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Taiwan Cinema as Soft Power : Authorship, Transnationality, Historiography
Song Hwee (Professor of Cultural Studies, Professor of Cultural S Lim
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Choral Artistry : A Kodaly Perspective for Middle School to College-Level Choirs, Volume 1
Micheal (Professor of Music Theory and Aural Skills and Chai Houlahan
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Choral Sight Reading : A Kodaly Perspective for Middle School to College-Level Choirs, Volume 2
Micheal (Professor of Music Theory and Aural Skills and Chai Houlahan
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