The Talent Management of Indie Authorship : From American Independent Cinema and Short Films to Pay-Tv and Streaming
Andrew Stubbs-Lacy
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Interactive Cinema : The Ambiguous Ethics of Media Participation
Marina Hassapopoulou
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Stardust : Cinematic Archives at the End of the World
Hannah Goodwin
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Is Harpo Free? : And Other Questions of the Metaphysical Screen
Matthew Cipa
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Through a Nuclear Lens : France, Japan, and Cinema from Hiroshima to Fukushima
Hannah Holtzman
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Listening to Others : Eduardo Coutinho's Documentary Cinema
Natalia Brizuela
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From Havana to Hollywood : Slave Resistance in the Cinematic Imaginary
Philip Kaisary
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Education, Affect, and Film : Visual Imaginings and Global Explorations Through a Comparative Lens
Irving (Illinois Wesleyan University, USA) Epstein
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Bollypolitics : Popular Hindi Cinema and Hindutva
Ajay (Sonoma State University, USA) Gehlawat
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Soviet Spectatorship : Observing the Body in Physical and Visual Culture
Samuel (University of Cambridge, UK) Goff
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Subjectivity and Decolonisation in the Post-Independence Novel and Film
Sarah Jilani
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Cinema and Machine Vision : Artificial Intelligence, Aesthetics and Spectatorship
Daniel Chavez Heras
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Armchair Cinema : A History of Feature Films on British Television, 1929-1981
Sheldon Hall
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Stardom, Film Couples and Love Teams in 1970s Philippine Cinema
Chrishandra Sebastiampillai
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Resistance in Indian Documentary Film : Aesthetics, Culture and Practice
Shweta Kishore
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