The Computer-Animated Film : Industry, Style and Genre
Christopher Holliday
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Plants in Science Fiction : Speculative Vegetation
Katherine E. Bishop
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New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror
Patricia Pisters
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Screening the Paris Suburbs : From the Silent Era to the 1990s
Philippe Met
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The Screenwriters Taxonomy : A Roadmap to Collaborative Storytelling
Eric R. (Ohio University, USA) Williams
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Selfless Cinema? : Ethics and French Documentary
Sarah Cooper
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Cinema on the Front Line : British Soldiers and Cinema in the First World War
Chris Grosvenor
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Men, War and Film : The Calling Blighty Films of World War II
Steve Hawley
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Subjective Realist Cinema : From Expressionism to Inception
Matthew Campora
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Screening Art : Modernist Aesthetics and the Socialist Imaginary in East German Cinema
Sean Allan
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Vivre Ici : Space, Place and Experience in Contemporary French Documentary
Alison (Department of French, University of Virginia J. Murray Levine
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Screening Transcendence : Film under Austrofascism and the Hollywood Hope, 1933-1938
Robert Dassanowsky
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Refocus: the Films of William Wyler
John Price
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Historical Media Memories of the Rwandan Genocide : Documentaries, Films, and Television News
Tommy Gustafsson
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Cinema in the Arab World : New Histories, New Approaches
Ifdal Elsaket
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The Encyclopedia of LGBTQIA+ Portrayals in American Film
Erica Joan Dymond
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Badfilm : Incompetence, Intention and Failure
Becky Bartlett
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Women, Feminism and Italian Cinema : Archives from a Film Culture
Dalila Missero
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George A. Romero's Independent Cinema : Horror, Industry, Economics
Tom Fallows
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Contemporary Thai Horror Film : A Monstrous Hybrid
Mary Ainslie
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Demons of the Mind : Psychiatry and Cinema in the Long 1960s
Tim Snelson
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Networked David Lynch : Critical Perspectives on Cinematic Transmediality
Marcel Hartwig
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Refocus: the Films of Roberta Findlay
Peter Alilunas
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