Six Turkish Filmmakers
Laurence Raw
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Abject Pleasures in the Cinematic : The Beautiful, Sexual Arousal, and Laughter
Aaron Kerner
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Adrian Brunel and British Cinema of the 1920s : The Artist versus the Moneybags
Josephine Botting
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Refocus: the Films of Kim Ki-Young
Chung-kang Kim
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Lucasfilm : Filmmaking, Philosophy, and the Star Wars Universe
Cyrus R.K. (NYU Abu Dhabi and NYU, USA) Patell
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Christopher Nolan : Filmmaker and Philosopher
Robbie B. H. (National University of Singapore, Singapore) Goh
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The Eisenstein Universe
Ian Christie
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Screen Interiors : From Country Houses to Cosmic Heterotopias
Pat (Kingston University, UK) Kirkham
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Pablo Trapero and the Politics of Violence
Douglas Mulliken
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Cinematic Art and Reversals of Power : Deleuze via Blanchot
Eugene B. (Le Moyne College, Syracuse, USA) Young
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Adapting Macbeth : A Cultural History
William C. Carroll
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Robert Pippin and Film : Politics, Ethics, and Psychology after Modernism
Dr Dominic (University of Bristol, UK) Lash
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Contemporary Chinese Cinema and Visual Culture : Envisioning the Nation
Sheldon (University of California, Davis, USA) Lu
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Women and Indian Shakespeares
Thea Buckley
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Boyz N the Hood : Shifting Hollywood Terrain
Joi Carr
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Men on the Screen : Re-visions of Masculinity in Spanish Cinema (1939-2019)
Jose Armengol
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The Cinema of Hong Kong : History, Arts, Identity
Poshek (University of Illinois, Urbana-Champaign) Fu
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Geraldine Chaplin : The Gift of Film Performance
Steven Rybin
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Caught in-Between : Intermediality in Contemporary Eastern Europe and Russian Cinema
Agnes Peth?
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Reanimated : The Contemporary American Horror Remake
Laura Mee
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Spinsters, Widows and Chars : The Ageing Woman in British Film
Claire Mortimer
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Squid Cinema from Hell : The Emergence of Chthulumedia
William Brown
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The Pulse in Cinema : The Aesthetics of Horror
Sharon Mee
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Legacies of the Past : Memory and Trauma in Mexican Visual and Screen Cultures
Niamh Thornton
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