Liminal Noir in Classical World Cinema
Elyce Helford
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Women's Work in Post-war Italy : An Oral and Filmic History
Flora Derounian
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One Shot Hitchcock : A Contemporary Approach to the Screen
Luke (Casual Academic, Casual Academic, University of New So Robinson
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The Traces of Jacques Derrida's Cinema
Timothy (Assistant Professor, Dept. of Film and Media, Assist Holland
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Artificial Women : Sex Dolls, Robot Caregivers, and More Facsimile Females
Julie (SUNY Maritime College) Wosk
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Visions and Victims : Art Melodrama in the Films of Carl Th. Dreyer
Amanda Doxtater
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Silver Screens and Golden Dreams : A Social History of Burmese Cinema
Jane M. Ferguson
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Networked Bollywood : How Star Power Globalized Hindi Cinema
Swapnil (University of Michigan, Ann Arbor) Rai
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Subjectivity and Decolonisation in the Post-Independence Novel and Film
Sarah Jilani
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Cinema and Machine Vision : Artificial Intelligence, Aesthetics and Spectatorship
Daniel Chavez Heras
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Armchair Cinema : A History of Feature Films on British Television, 1929-1981
Sheldon Hall
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Stardom, Film Couples and Love Teams in 1970s Philippine Cinema
Chrishandra Sebastiampillai
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Resistance in Indian Documentary Film : Aesthetics, Culture and Practice
Shweta Kishore
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The Female Avenger in Film and Television : Rape-Revenge and Women's Anger
Margrethe Bruun Vaage
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Education, Affect, and Film : Visual Imaginings and Global Explorations Through a Comparative Lens
Irving (Illinois Wesleyan University, USA) Epstein
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Bollypolitics : Popular Hindi Cinema and Hindutva
Ajay (Sonoma State University, USA) Gehlawat
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