The Needle and the Lens : Pop Goes to the Movies from Rock 'n' Roll to Synthwave
Nate Patrin
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Women, Feminism and Italian Cinema : Archives from a Film Culture
Dalila Missero
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Diseased Cinema : Plagues, Pandemics and Zombies in American Movies
Robert Alpert
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The Intruder
Jean-Luc Nancy
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States of Danger and Deceit : The European Political Thriller in the 1970s
Rachel Hayward
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Robert Lepage's Original Stage Productions : Making Theatre Global
Karen Fricker
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Reanimated : The Contemporary American Horror Remake
Laura Mee
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Looking Beyond Neoliberalism : French and Francophone Belgian Cinema and the Crisis
Martin O'Shaughnessy
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Hollywood Remakes of Iconic British Films : Class, Gender and Stardom
Agnieszka Rasmus
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Towards an Intermedial History of Brazilian Cinema
Lucia Nagib
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Norwegian Nightmares : The Horror Cinema of a Nordic Country
Christer Bakke Andresen
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Film, Hot War Traces and Cold War Spaces
Maurizio Cinquegrani
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Transnational Kaiju : Exploitation, Globalisation and Cult Monster Movies
Steven Rawle
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Blood on the Lens : Trauma and Anxiety in American Found Footage Horror Cinema
Shellie McMurdo
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Music in the Horror Films of Val Lewton
Michael Lee
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The Motorcycle Diaries : Youth, Travel and Politics in Latin America
Nadia (KU Leuven, Belgium) Lie
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Charlie Chaplin’s Modern Times : The Work of Life in the Age of Mechanical Reproducibility
Carl Peters
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Film, Form, and Culture
Robert P. (University of Maryland, USA) Kolker
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