The Talent Management of Indie Authorship : From American Independent Cinema and Short Films to Pay-Tv and Streaming
Andrew Stubbs-Lacy
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With Love, Mommie Dearest : The Making of an Unintentional Camp Classic
A. Ashley Hoff
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With Love, Mommie Dearest : The Making of an Unintentional Camp Classic
A. Ashley Hoff
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Interactive Cinema : The Ambiguous Ethics of Media Participation
Marina Hassapopoulou
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Stardust : Cinematic Archives at the End of the World
Hannah Goodwin
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Is Harpo Free? : And Other Questions of the Metaphysical Screen
Matthew Cipa
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Through a Nuclear Lens : France, Japan, and Cinema from Hiroshima to Fukushima
Hannah Holtzman
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Listening to Others : Eduardo Coutinho's Documentary Cinema
Natalia Brizuela
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From Havana to Hollywood : Slave Resistance in the Cinematic Imaginary
Philip Kaisary
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Gay Conversion Practices in Memoir, Film and Fiction : Stories of Repentance and Defiance
James E. Bennett
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Gay Conversion Practices in Memoir, Film and Fiction : Stories of Repentance and Defiance
James E. Bennett
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Education, Affect, and Film : Visual Imaginings and Global Explorations Through a Comparative Lens
Irving (Illinois Wesleyan University, USA) Epstein
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Education, Affect, and Film : Visual Imaginings and Global Explorations Through a Comparative Lens
Irving Epstein
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Education, Affect, and Film : Visual Imaginings and Global Explorations Through a Comparative Lens
Irving Epstein
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